Rabu, 23 Oktober 2013

As Jeanne Gang is honored by National Design Museum, a walk through the seasons at the Lincoln Park Nature Boardwalk

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At a gala in New York City last Thursday, October 17th,  Jeanne Gang of Studio/Gang was recognized in the Architecture Design category of this year's National Design Awards handed out by the National Design Museum at Cooper-Hewitt.  Also among this year's honorees were landscape architect Margie Ruddick, interior designers Aidlin Darling Design, and architect and writer Michael Sorkin, with a Lifetime Achievement Award going to SITE's James Wines.

Gang was cited for her . . .
. . . Chicago-based collective of architects, designers, and thinkers practicing internationally. Gang uses architecture as a medium of active response to contemporary issues and their impact on human experience. Each project resonates with its specific site and culture while addressing larger global themes such as urbanization, climate, and sustainability.
We're still working on our piece on Studio/Gang's WMS Clark Park Boathouse, which had it's official opening last Saturday, but for now, what better way to celebrate Gang's mastery of merging structure and environment than by traveling through the seasons at one of my favorite places in the city, the Studio/Gang designed Nature Boardwalk at Lincoln Park . . .


Read More: 
Reimaging Urban Eden: Studio/Gang and the Nature Boardwalk at Lincoln Park Zoo

Selasa, 22 Oktober 2013

Cue the Gondoliers: Henry Ives Cobb's lavish Venetian Gothic Palace revisits 1893 grandeur


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�The Chicago Athletic Club stands on the lake front a rival in grace and symmetry to the great palace of the Doges on St. Mark's Square, Venice, and loses nothing by the comparison.�
So said an account in 1898's Outing magazine, which described the ten-story, 1893 Venetian-Gothic styled building, designed by Henry Ives Cobb, as one the major attractions of the city, with its 2,000 members �comprising the best class of people.�
And so it remained for over a century, until declining membership resulted in the club's closing in 2007.  After the requisite period of failed deals, the property was purchased for $13 million in 2012 by AJ Capital Partners LLC  and Geolo and Agman. which have committed over $60 million to convert the clubhouse into a four-star (+!)hotel, appealing to the same best - or most monied - class of people that powered the CAC's initial creation.
Outing described the splendor of the building in detail . . .
The interior is magnificent and costly, every atom of material and every article of equipment being placed with a thought to defy the ravages of time and use.  The entrance and main lobby are studies in marble and mosaic, relieved by massive mahogany furniture standing sentinel-like at posts of duty . . . A broad stairway starts with a graceful curve and leads along a side-wall of the purest slabs of monolithic marble, transcending a ceiling of pure white stucco, divided into panel formations, which
completes an entrance view of exceptional beauty.
 The 6,400 square-foot, 9th floor dining room wast �as beautiful a dining salon as one would find in a long journey.  Finished in quartered oak, with the finest of which the buildings were extremely lavish . . . and overhanging all a stucco ceiling, with hundreds of drooping tips, studded with incandescents, giving the room at night a brilliant and cheerful appearance.�
Did I mention there are 15 working fireplaces?
The original 1893 building was eventually expanded along the back to a Richard Schmidt designed addition completed in 1907, with floors added in 1926.  As part of the current rehab by Hartshorne Plunkard, with interiors by Roman and Williams, decades of alternations are being removed to reveal the original design underneath.  We received pictures of some of those uncovered elements from Eric Nordstrom of Urban Remains. He assures me their salvaging is confined to old furniture and later alternations, and that many of the original spaces are being meticulously reconstructed. 
Actually, much of the original design has survived largely intact and entirely striking, as you can see in these photosets from AJ Capital Partners LLC, the Hotel Chatter website, and some Landmarks Illinois interior shots by Rolf Achilles

We should see how it all turns out in the fall of 2014, when the new, still unnamed hotel is scheduled to open its doors.

Minggu, 20 Oktober 2013

Gray Ghost: Dead Architectural Souls on Milwaukee Share a Ghastly Shroud

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[Update: September 7, 2014]
The Gray Ghost continues to haunt the intersection, perhaps hoping to hang on at least until Halloween.

Fifield Companies rendering, from the Chicago Architecture Blog
[Update: January 17, 2014]
The Chicago Architecture Blog reports that the Chicago Plan Commission has approved the new development. Fifield is out; Urban Form Investments is in.
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We've all seen living statues, the street performers who transform themselves into stone by covering the natural color of their skin with a grayish patina.  A living thing masquerading as a dead replica.
At Grand, Milwaukee and Halsted, at least for a while, you can see an architectural equivalent of a living statue, an entire block of once vital buildings gone stone gray cold.
There appear to be seven different structures in the group, from a single story garage to three-story loft - different styles, different sizes, but one thing in common.  They're all dead.  They've been dead and abandoned as long as anyone can remember.  Their brick and stone has been smeared over with a uniform, living-statue-like gray paint.  Along the ground floor, there's a continuous splash of dirty brown evocative of excrement or - if you cling to the metaphor - a failed bronze base.
A recent post on the Chicago Architecture Blog says it used to be a restaurant supply house that suffered a fire sometime back.  The blog author says �somehow it still managed to funk up the neighborhood year after year.�  Which was somewhat more acceptable when the the neighborhood, itself, was pretty funky, a long way from its once solid working-class status.  You can see what it looked like then in this photo.  The buildings on Milwaukee are one of the few surviving components.  The corner building's triangular cuppola is visible in the upper left corner.  Today only the base remains.
 Only a few years ago, the funkiness was literal, attested to by the mural across the street . . .
Now, however,  everything's coming up gentrified.   The currency exchange is gone, and the parking lot in front of the mural has become the home of a new building for The Dawson.  
�Designed to look like a Nineteenth century men's hangout with modern twists�, it's named after the 19th century manufacturers whose five-story loft building is just up the street . . .
Now Fifield is floating a proposal to replace the grayed-out buildings with a new five-story retail and residential structure by Pappageorge/Haymes.    Renderings here.

The vanishing takes place right before your eyes.   Even as the gray erases their individual character, the buildings continue to decay and die beneath the veneer.  For all intents and purposes, they've already disappeared.  Not a smile, but a scowl, is all that's been left behind.  In an instant it, too, will be gone.  You won't even remember they were there.










Sabtu, 19 Oktober 2013

From St. James Chapel to Elks National Memorial, with a boathouse in between - Photos from Day One of Open House Chicago 2013

click images for larger view (recommended)
Stop One:  the over-the-top House of Blues, built in the theatre  buildingof Bertrand Goldberg's Marina City Complex.   Also open tomorrow, Sunday, October 20th from 9 a.m. to 5:00 p.m.
 
 
Stop Two:  St. James Chapel at Archibishop Quigley Center.   1917, Steinbeck and McCarthy.  The 40-foot-high stained glass windows, by Robert Giles of the John Kinsella Company. are modeled after Sainte Chapelle in Paris.  Closed tomorrow, but free docuent-led chapel tours are offered every Saturday (Holiday weekends excluded) from 9:00 to 11:00 a.m.  There are also chapel concerts at 2:00 p.m. Saturday November 9, December 14, January 11 and February 8.
 
 
  
I just realized.  The open isn't my photo, it's from the Chicago Architecture Foundation.  So, that's why it's in focus.  I'm leaving it up with credit because it's better than anything I took.
 
 
 Stop Three: Gratz Center of the Fourth Presbyterian Church, by Gensler Architects.  Open Sunday 1:00 - 4:00 p.m.
Best Friends, Gary Lee Price

Buchanan Chapel
 Stop Four:  Fourth Presbyterian Church, 1914, Ralph Adams Cram and Howard van Doren Shaw.
 
 Intermission:  dedication of WMS Clark Park boathouse by Studio/Gang.  Our piece on the boathouse coming soon.  For now, check out Blair Kamin's review.
 
 Stop Five: Brewster Apartments, 1893, Enoch Hill Tumoch.  Open Sunday 9:00 a.m. to 5:00 p.m.
 Stop Six: Elks National Memorial, 1924, Egerton Swartwout.  Open Sunday 9:00 a.m. to 5:00 p.m.
 
 
 
 
 
 
 
 
 Bonus:  Commonwealth Promenade Apartments, 1953-1956, Mies van der Rohe.
Open House Chicago 2013 continues and concludes Sunday, October 20th, offering access to 150 iconic Chicago sites.