photo courtesy Guggenheim Museum, �David Heald |
I really need to figure out a way to get away more, but since, for the moment, it's not possible, I have to settle for being put in mind of Chicago's own James Turrell work, Skyspace, which opened at Roosevelt and Halsted in 2006. Turrell was on hand for the dedication, which we wrote about here. It's a 43-foot-in diameter pavilion, with a 26-foot high ceiling pierced by a central oculus designed to create the illusion of �celestial vaulting - the illusion, when viewing the sky without a horizon line, that the sky is aligned with the plane of the ceiling.�
What makes Skyspace distinctive is how, try as it might, it's not an entirely controlled space. The setting, a juncture of urban formation, keeps insinuating itself inside.
Next door to the west is the St. Francis of Assisi Church, dating from 1875.
The spiritual qualities inherent in Skyspace finds a counterpoint in the church rituals that spill over onto the Earl Neal plaza in which Skyspace is placed.
Skyspace finds itself mediating between a working class neighborhood that has been largely effaced, and the great urban machine that has superseded it, the relentlessly expanding presence of the University of Illinois's Chicago campus.
More next weekend.
James Turrell runs at the Guggenheim Museum, New York, through September 25.
Read:
A James Turrell Skyspace Comes to a Very Different Maxwell Street
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